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चित्र:Shah Jahan on a Terrace Holding a Pendant Set with His Portrait.jpg

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सारांश

Chitarman: "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album  wikidata:Q29385142 reasonator:Q29385142
Artist
Chitarman
image of artwork listed in title parameter on this page
Title
Shah Jahan on a Terrace Holding a Pendant Set with His Portrait
Object type codex / manuscript illumination Edit this at Wikidata
बिबरण

Shah Jahan on a Terrace Holding a Pendant Set with His Portrait, dated 1627/8; Mughal Inscribed by Chitarman, dated 1627/8 India Ink, opaque watercolor, and gold on paper

H. 15 3/8 in. (38.9 cm), W. 10 1/8 in. (25.6 cm)

Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955 (55.121.10.24)
Depicted people शाहजहाँ Edit this at Wikidata
तारीख अगस्त १६२७
date QS:P571,+1627-08-00T00:00:00Z/10
Medium Ink, opaque watercolor, and gold on paper
Dimensions H. 15 3/8 in. (38.9 cm), W. 10 1/8 in. (25.6 cm)
institution QS:P195,Q160236
Accession number
(55.121.10.24)
Place of creation मुगल राज Edit this at Wikidata
Object history
Credit line Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955
Notes

Shah Jahan's love of sumptuous objects is doubly manifest in this extraordinary portrait-within-a-portrait, probably made as an imperial gift. The work clearly grows out of the fantastic allegorical portraits of Jahangir, especially in the treatment of the sky, where the clouds, inhabited by putti, receive color from and frame the monarch's sunlike nimbus. The technique and finish of the painting are superb. Great care has been taken to render tactile as well as visual qualities: the viewer senses the subtle contrasts between the flowered gauze of the emperor's tunic, his heavy gold sash, and his spinel-studded string pearls. Each element seems related to an almost suprahuman degree. The conceit that has the emperor holding a miniature portrait of himself intensifies the impact of this tour de force of illusionism. The beautifully considered borders perfectly enhance the miniature by extending the glow of blue and gold to the edge of the pages.

Jewel portraits (shast) such as the one shown here were sometimes worn in the turban by nobles of the court. However, ironically, Shah Jahan banned the wearing of shast-portraits in this manner in the very year (1627) this painting was made, though, as is evident, they continued to be produced.
References
Source/Photographer

लाइसेंसिंग

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
Public domain

The author died in 1670, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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